![]() ![]() You can also get trigrip reflectors with other combinations of colours, such as gold/silver, silver/white, gold/white etc. I use the soft silver (silver/white) side most often as the sunlite (gold/white) side can be a touch too yellow for my liking. I prefer it over a straight white or a straight silver reflector, because it gives the punchier light offered by the silver, combined with the softer element of the white. The soft silver side is a series of fine white alternating with fine silver strips and the sunlite side is fine white rows alternating with fine gold strips. Well, I have a workaround to be able to do this, which I’ll mention in a moment. The trigrip reflector is particularly useful when shooting solo as I can hold the reflector in one hand and the camera in the other. There are other sizes, but I find the 75cm one gives me the best combination of size and ease for holding. If I’m photographing solo, my go to photography reflector is the Lastolite Trigrip Reflector 75cm Sunlite/Soft Silver. Lastolite Trigrip Reflector 75cm Sunlite/Soft Silver As I said, there are loads of different reflectors to choose from. I’m not saying you should use these ones specifically, but they work really well for me. I have two handheld reflectors, which I use for different situations. What’s more, if you’re on the move and shooting portraits solo, a reflector is a particularly useful tool. But you get my meaning – learning how to use a reflector properly will make a massive difference to your portraiture and still life photography. Well, that and the exposure, the light and the composition of course. If you’ve ever photographed food, you’ll know that a reflector can be the difference between an okay shot and a beautiful shot. I photograph mainly portraiture and occasionally products, so, aside from my camera and studio lights, my reflectors are my most used gear. So it seems a shame not to become best friends with one. Also, the beauty of a reflector is that it’s lightweight, collapsable and extremely versatile. Rather get your lighting right in camera than spend ages on the computer lightening shadows and painting in light. Today, however, I’m just talking about the easily handheld type. So there’s a reflector for every occasion. What’s more, reflectors come in a huge variety of shapes, sizes and a selection of colours. Unless you’re photographing landscapes or wildlife, you should never set out on a shoot without one. Not only are photography reflectors really cheap, light and easy to carry, but they are essential to creating well lit images. I’ve got two favorites, which I’ll tell you about in a moment. But if you want a handy take-it anywhere kind of reflector, it’s best to buy an actual one. When shooting on location, I’ve used a white wall, a car’s back window and wet surfaces. In a studio environment I’ve used white foamboard, a white sheet, a mirror and even a piece of cardboard covered in foil for reflected light. You don’t have to go out and buy an actual photography reflector. ![]() Never underestimate your need for a reflector in photography.Ī reflector is any item with a large flat surface off of which to bounce light. Buying something through one of the links won’t cost you anything extra, but we may get a small commission, which helps to keep the site running. Which colour / side of the reflector to use.Job done.īut there’s more to it than that, so let’s look at how to use a reflector properly, specifically: Doesn’t sound complicated – reflect light. I always say – never underestimate your need for a reflector in photography. Did you know there’s a wrong way to use a reflector?
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